BlackBerry Messenger BBM is a free instant messaging service that lets you message one-to-one or broadcast one-to-many. Indeed, your broadcasts can be forwarded on to hundreds of people within a minute, making it what a new kind of Gutenburg Press.
Because just as that invention set off an explosion of books, BBM, a free, fast and secure method of publication, appears now to be capable of creating an explosion of dark-hearted flash mobs.
For instance, a BBM broadcast sent on Sunday and shown to the Guardian was widely circulated beyond its original sender and called for people to vandalize shops in the West End and attack the police. It read :. Because not only can you message people if you know their BBM PIN messages are encrypted at the point of sending, making them hard for the authorities to decode subsequently.
BBM is secure, private and able to broadcast to people beyond your own contacts. Of course, the service itself is agnostic as to its use.
Yes, one cannot blame the technology. The underlying causes of the riots and looting could be many. Boredom, unemployment, a bad economy, a consumerist culture that puts value in possessions — take your pick of underlying causes.
Whatever the case, this community now has a powerful, enterprise grade, network. BBM has acted as a way for urban youth to amplify their offline gatherings , which, depending on the motive, can turn into something far more potent when broadcast out to hundreds of others. As with all social media, there is a mirror image side to the story which is positive. BlackBerry Messenger, Twitter and Facebook and other communications tools have all been used in the London Riots to help ordinary people avoid incidents and even clean up London, using the Twitter hashtags like riotcleanup and riotwombles and the enormously successful riotcleanup.
In particular it is the Curve which has become the handset of choice. BBM is the key here. Broadcast mode is particularly potent and can go incredibly viral. This is a fascinating point. Paul told me how his friends also change their profile picture as a way of broadcasting what they are doing. BBM Canada operates as a non-for-profit corporation and supplies impartial television and radio ratings data and analysis to advertising and broadcasting industries. It collects ratings data from members of the public recruited to use an electronic Portable People Meter or a BBM Canada diary to manually record their television viewing and radio listening.
RIM is a designer, manufacturer and marketer of wireless solutions for the global mobile communications market, widely known for the BlackBerry handheld wireless device and related software, accessories and services. Has RIM passed off its services as those of the Applicant? If the response to any of issues 1 to 3 is in the affirmative, is the Applicant entitled to compensatory and punitive damages or the granting of additional relief?
The Court considered the relevant factors under subsection 6 5 of the Trade-Marks Act the Act and the surrounding circumstances evidence of actual confusion to conclude that confusion is unlikely and, as a result, infringement resulting from the use of a confusing mark did not occur in this case. How should this type of programming be measured for monitoring purposes?
Q19 What mechanisms should be put in place to ensure that broadcasters do more to promote emerging artists and foster musical diversity? On which platform s should these mechanisms be implemented e. How could these mechanisms be measured by the Commission for monitoring purposes? Q20 Do you think the definition of a hit and the list of charts used to identify hits are still adequate?
If not, what updates do you suggest? Q21 Can the method used to identify hits be simplified and standardized using industry standards? If so, which ones? Q22 In your opinion, is the policy regarding the broadcast of hits still a relevant and efficient means of promoting linguistic duality in bilingual markets? If not, what policy changes or other regulatory means could the Commission apply?
Q23 If the quotas for hits were waived for English-language commercial radio stations in bilingual markets, should their French-language counterparts also receive regulatory relief e. The Commission intends to codify this practice in the Regulations.
Do you agree with this proposal? Explain your reasoning. Q27 Does the current peak time period Monday to Friday from a. If yes, why? If not, should the peak listening period for FVM selections be redefined? If so, please propose Canadian content thresholds for the chosen proposal. Q29 The Commission intends to count montage excerpts individually for French-language stations rather than consider them single musical selections.
In your opinion, would this new calculation method better reflect the true standing of FVM selections in music programming? Would it reinforce the promotion and discoverability of French-language Canadian artists, including emerging artists and artists from OLMCs? Local programming includes programming that originates with the station or is produced separately and exclusively for the station. It does not include programming received from another station and rebroadcast simultaneously or at a later time; nor does it include network or syndicated programming that is five minutes or longer unless it is produced either by the station or in the local community by arrangement with the station.
In their local programming, licensees must incorporate spoken word material of direct and particular relevance to the community served. This must include local news, weather, sports coverage, and the promotion of local events and activities. Q30 Do the current regulations provide Canadians with access to varied local programming reflecting different viewpoints and relevant, high-quality programming in sufficient quantity?
If not, what measures could be put in place to remedy the situation? Should these measures apply to all commercial radio stations?
Q31 Is the standard condition of licence linking the possibility of soliciting or accepting local advertising to the broadcasting of local programming still relevant and appropriate? If not, how would you change it? What positive and negative effects would this change have on competition? Q32 Is the spoken word content on commercial radio stations, particularly news bulletins, relevant and of high quality? Does it properly address the communities served?
Does it adequately reflect local culture? If not, what measures could the Commission implement to ensure that spoken word content fully meets the needs and interests of the communities served? Q34 Although these issues will be considered in more depth during the process for the co-development of a new Indigenous broadcasting policy, in your opinion, are there specific obstacles to the success of Indigenous music and artists in the current commercial radio policy? If yes, what are they?
Please note that any comment on the effects of specific policies on Indigenous music and artists can also be made in response to any other question in this notice.
CCD forecasts Footnote 21 by type of contribution.
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